Custom contrived: John Clare memorial midsummer cushions

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Cushion star!

John Clare Midsummer 2013 (99)

Often commemorations record pious politicians and mighty military men, every now and again it is nice to see a much more humble and harmless professions being celebrated: writers, poets and clowns being amongst them! At Helpston, since the 1980s a local festival has been established to toast a local and little known servant of the muses, the so-called ‘peasant poet’ John Clare. The event focuses around the weekend closest to his birth date, the 13th July and includes concerts and readings. However, it is the picturesque midsummer cushion ceremony which concerns us here. John Clare himself reported in his manuscript called Midsummer cushion in 1832:

“It is a very old custom among villagers in summer time to stick a piece of greensward full of field flowers and place it as an ornament in their cottages which ornaments are called Midsummer cushions.”

Glorious sunshine beamed down into the small churchyard of St. Botolphs and a crowd had begun to assemble around the tomb of this lauded local, some devotees of the verse, some curious bystanders and the rest dutiful parents. The later naturally swelled the churchyard as the custom is enacted by the pupils of John Clare Primary school naturally enough.

John Clare Midsummer 2013 (36)

At the allotted time 1.30, a stream of students holding proudly their creations entered beneath the churchyard arch, up the lavender lined path and towards the grave where under the direction of their head teacher, they laid their cushions around his grave. Slowly and surely they formed a picturesque patchwork, their vibrant colours glimmering in the mid day sunlight.

These cushions was composed in a fashion similar as possible to Clare’s description, using an ice cream tub crammed as much as possibly with colourful blooms and in one case a whole plants. The tradition perhaps should be a revived custom; although it is more a transferred custom as clearly it would not have been associated with the poet. Speaking to a local man he informed me it was a Northamptonshire custom, to which I added Cambridgeshire as well, to which he replied ‘sadly the village is now’ showing how still some are not happy to see the Soke of Peterborough be absorbed into the modern Cambridgeshire. However, the custom is not unique to this region as an MA Denham wrote in 1850s of a version in northern England that:

“The young lads and lasses of the town or village having procured a cushion…and covered it with calico, or silk of showy and attractive colour, proceeded to bedeck it with every variety of flower which they could procure out of their parents’ and more wealthy neighbour’s gardens, displaying them in such a manner so as to give it a most beautiful appearance. All this is done, they placed themselves with their cushion of Flora’s choicest gems, in the most public place they conveniently could soliciting of every passer-by a trifling present of pence, which in numerous cases was liberally and cheerfully bestowed…the custom prevailed from Midsummer Day to Magdalene Day (22 July), which latter has long corrupted to ‘Maudlin Day’.”

As early as 1778 John Hutchinson reported a similar custom in Northumberland but the cushions were made out of stools, with a layer of clay smeared on top and flowers stick into it much like a well dressing.

How long the ceremony has been enacted I am unclear, speaking to a regular attendee he said he had seen 30 years of them and suggested it had been done at least another 30 years previous by the school.

John Clare Midsummer 2013 (131) John Clare Midsummer 2013 (133)

Once all the children had assembled, a small group remained in the blazing sunlight to serenade the grave perhaps with songs based on Clare’s work set to music. After which the children then sat down in the shade to hear an introduction and explanation by the society’s representative and one could see a degree of anticipation on their faces. Was it the usual boredom? No it was awaiting the results of the poetry competition. Winners and commended were read out from each class with a nervous but surprisingly confident approach, there were no shy moments and the pieces had a surprising maturity, clearly the influence of Clare has had a positive effect. All in all it is very pleasant to see such a charming custom given such enthusiastic support…even during the heavy storms of 2012! Long may it continue.

copyright Pixyled publications

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