Category Archives: Costumed

Custom survived: Lichfield’s Dr Johnson’s Birthday commemoration

Standard

The picturesque city of Lichfield could win a prize for the most traditional calendar customs and ceremonies a number of which I have detailed in this blog. One of these is an annual celebration of their most famous son, the poet, essayist, lexicographer and all around scholar Dr. Samuel Johnson. The man who gave the world the first real dictionary A Dictionary of the English Language.

Born in 1709 it too nearly 200 years for the city to formally recognise him however when in 1903 the Lichfield City Council first started their September birthday celebrations. A society was founded in 1910 the year after the bi-century of the author’s birth which was remembered with a big celebration.

The two most engaging powers of an author are to make new things familiar and familiar things new.

In 1909 it was reported in Lichfield Mercury that;

“From Wednesday , Sept . 15 , to Sunday , Sept . 19 , 1909 , Lichfield gave itself up with great enthusiasm and éclat to the celebration of the two – hundredth anniversary of the birth of its most illustrious citizen , Dr . Samuel Johnson . 

For months before the preparations had been going on , and they culminated in great and brilliant gatherings which will without doubt be historic in the annals of the ancient and loyal City”. 

The order of the day has not changed much over the years:

12  Noon .  Great gathering of citizens in the Market  square , when the Children of the schools of the City will assemble to take part in the celebra tion .

Tableaux illustrative of the genius of Dr . Johnson will be placed in prominent positions in the Market square , representing  Literature ,   Poetry ,   and the  Drama . 

Address by the Sheriff .

Presentation of silver and bronze medals to the scholars of the respective schools in the City . The medals will be awarded for proficiency in the English language , English history and biography , general knowledge , and good conduct . 

Two hymns of Joseph Addison , the famous essayist , son of Lancelot Addison , Dean of Lichfield , and one of the eminent scholars of Lichfield Grammar School , will be sung on the occasion .

4 p . m . to 6 p . m . – Reception by the Mayor and Mayoress in the Guildhall . ”

7 30 p . m . – The Anniversary Johnson Supper , at the George Hotel . Speaker , Mr . W . Pett Ridge .

A man may be so much of everything that he is nothing of anything.

However, despite the big celebration for the 220th anniversary the Mayor of Lichfield stated that:

‘He was a great a man, and he was still a great man today: but there were so many who knew so little about the greatness of their fellow citizen.”

And it goes on to state that not many people knew of him. However, one cannot say that now as the town on Saturday morning was buzzing with people in the town perhaps encouraged by the free birthday cake available in the Birthplace museum. As noted in the 300th anniversary the events were:

On Friday September 18, Dr Johnson’s birthday, there will be a spectacular light and sound show in the Market Place, with live performances suitable for all the family.

The celebrations continue on Saturday with a ceremony in Market Square with live music, followed by cake at the Samuel Johnson Birthplace Museum. A special book fair will also take place at Wade Street Church Hall on Saturday in honour of Dr Johnson’s love of books.”

When I arrived the Mayor and various other dignitaries and a group of local children assembled around the statue of Johnson on his plinth where a metal step ladder was also placed.

The assembled group of children begun to sing and the Mayor and guest of honour came forward to a podium and drew the audience to the importance of the great man and came forward with a wreath which was placed on the moment. Then the city celebrated with some local bands and of course…some Morris dancers.

Custom survived: Swan upping on the river Thames

Standard

Swan-upping: a royal tradition | Vet TimesThe delightful mute swan, gliding majestically down the river, its pure white plumage shining in the summer, has always been thought to be a Royal bird. The monarch owning all birds but in the past ownership was granted to certain groups and since the medieval times to two livery companies – The Vintners and Dyers. These two companies have what is called the royalty of swans. Margaret Brenthall in her 1975 Old Companies and ceremonies of Britain:

“The Thames swans have always been protected birds, and to kill one was a crime which once earned dire punishment. As late as the mid-nineteenth century transportation for seven years was the penalty, and in 1895 it was seven weeks’ hard labour.”

Swanning about

Cleverly because it would be impossible to catch all swans so all those which were marked belonged to the monarch. As T. F. Thistleton Dwyer British Popular customs present and past (1875) suggests:

“Formerly the members of the Corporation of London, in gaily-decorated barges, went up the Thames annually in August, for the purpose of nicking or marking, and counting their swans. They used to laud off Barnes Elms, and partake of a collation. This yearly progress was commonly but incorrectly called ” swan-hopping : ” the correct designation is shown by the ancient statutes to be ” swan-upping,” the swans being taken up and nicked, or marked. A ” swan with-two-nicks ” indicated, by his second nick, that he had been taken up twice.”

His account suggests that it might have been a revived custom but as Brenthall notes:

“in the sixteenth and seventeenth centuries the Swan Voyage as a purely practical affair. It was in the eighteenth century that a festive element was introduced. Guest accompanied the Liverymen in the Companies state barges, musicians were engaged to play during the voyage, guns were fired in celebration, and a vast amount of food and drink was disposed of. As the nineteenth century progressed the mood changed, for the state barges disappeared from the scene.”

Thus it appears Thistleton Dwyer is referring to this. However, as Brenthall notes:

“But a festive atmosphere still prevails today as accompaniment to the sheer work of rowing, catching the swans and cygnets, marking and pinioning; and on two days of the Swan Voyage the Court of each of the Livery companies; together with their guests; follow by launch in the wake of the swan uppers.”

Brenthall (1975) notes:

“For this task the three respective Swan Herdsmen and their teams of Swann Uppers set out each July on a week-long Swan Voyage from Temple Stairs to Henley…the Swan Herdsmen at the time of writing are: John Turk, Queen’s Swan Keeper; Michael Turk, the Vintners’ Swan Marker and Bargemaster and Harold Cobb, the Dyers Bargemaster.”

The author states there were strong hereditary links within the ancient river appointments and I believe a Turk was my contact when I decided to find out more.

Swan with two necks

With a start at Temple the barges move down to Henley, regular stopping points are provided by the livery companies involved but I thought to be honest I was more than likely to see them gliding by and that was it – although at one of the locks I had the opportunity to see them do the loyal toast. Unfortunately, I missed the loyal toast and after deciding to picnic by the river could see in the far distance the swan uppers thinking this would be my opportunity to at least photograph this colourful watery procession as they gently skiffed the river in their three barges adorned with the banners of the Queen, Vintners and Dyers in a dazzling array of red and white.

Then their colourful red coats loomed closer in to view and a shout went out – they had seen some swans. Then with their boats they created a block to prevent the swans from escaping and the Vintner’s bargemaster leant over and grabbed the swan. It was then hoisted on to the bank and another presumably swan marker reached to get their marker and the swan was weighed, checked over and marked accordingly. Nowadays much of the process is to check on the health of the swans and since 1998 no nicking is done to the beaks rings being placed on the legs instead – which means that they cannot now be easily identified. It is a simple but colourful affair. I was amazed to be present at such close hand to see the process close up. I haven’t been back since but I was interested that for the first time in centuries Queen Elizabeth II the ‘Seigneur of the Swans’ attended the Swan Upping ceremony for the first time. It’s a simple custom only being partially cancelled due to high river flows in 2012 and 2020 due to Covid-19 social distancing measures – although one could argue being in the middle of the Thames they would be pretty socially distanced!

Custom contrived: Broadstairs’ Dicken’s festival, Kent

Standard

Broadstairs is one of those old fashioned genteel seaside towns, with picturesque views across the beach one can just imagine genteel Victorian ladies and gentlemen promenading along the road overlooking the bay. Well one does not have to imagine it come June time and one can see them!

What the Dickens?

Charles Dickens one great Victorian writer stayed in 1837 when he was 21 after the fame of Pickwick Papers, lodging at 12 High Street. After writing this he purchased a house, now part of the Royal Albion Hotel, where he finished Nicholas Nickleby. Dickens clearly loved the place he stayed at Lawn House where he wrote part of Barnaby Rudge and then finally Fort House. Here he wrote three works ‘David Copperfield’, ’The Haunted Man’ and ‘American notes’. He visited Broadstairs for many holidays finally writing ‘Our English Watering Place’ his homage to the town in August 1852.

Great expectations

With such an affection shown for the town it was not surprising that there was a great proud and love for the writer such that in 1937 a Broadstairs Dicken’s Fellowship was formed. Gladys Waterer, the resident of Dicken’s House then had the idea of celebrating the 100th anniversary of his first arrival in the town. This consisted on putting an production of David Copperfield which was advertised via people dressed in Victorian dress. Such was the Dicken’s festival born. It has continued with the exception of the World Wars and the Coronavirus ever since with some Victorian themes added to it. The fun includes readings, a Dickensian cricket match, a Victorian bathing party, and vaudeville acts.

Christopher Trent in his 1966 Festivals and events in Britain records:

“The centre piece of the week’s celebration is the performance of a play adapted from one of the novelist’s works. In Miss Waterer’s own words: ‘The festival is unique that it is the only Dicken’s festival in Europe. It is a completely local effort. The whole town joins in. In 1936 we put on the first Dickens play. After the war I wrote Christmas Carol and that was really the start’ It was a very good start.”

Of course other Dicken’s festivals have developed over the years such as Rochester, doubtlessly based on Broadstairs’ success

Trent continues:

“For many years a different play was staged each year. In 1964 the wheel turned full circle and a Christmas carol was staged again. In 1965 Our Mutual friend. The players are members of the Broadstairs Dickens Players’ society.”

The plays take up a considerable amount of dedication as he continues:

“the adaptation and rehearsals take on average nearly eight months. The result is the modest Festival Theatre is always satisfying, throwing a new and original light on the novelist, who is still one of the favourite writers of hundreds of thousands of people, young and old.”

What begun as a play developed into fringe entertainments doubtlessly in some cases there to advertise the play, became more and more and more and more imaginative. Trent noted that:

“Gradually the scope of the festival has been extended, though the play remains the most important part. Bleak House and Dickens House are open to the public throughout the week. There is Dickensian garden party in the grounds of Bleak House, with prizes offered for the best costumes. There are concerts of Victorian music, talks on Dickens and his work and a Victorian exhibition. A festival dance s organized in the grand ballroom, and the proof of Miss Waterer’s assertion that the whole town joins in is well illustrated by the number of  shops and the number of people, especially shopkeepers, who wear Dickensian costume in spite the difficulty in modern times of moving about in crinolines! A stage coach on he front is a sign that the festival is in progress. It is a replica of a coach in which many of Dickens’ characters travelled, and in which he must have made many of his journeys to Broadstairs.”

Dolby and son and son and daughter and grand children!

In 2017 it celebrated its 80th anniversary and the press said locally:

“Expect top hats, bonnets and billowing dresses as the community gathers for events including the grand parade, Dickensian picnic and beach party. Other activities includes a traditional Victorian country fair and theatre production of Dombey and Son – the author’s novel follows the fortunes of a shipping firm, whose owner is frustrated at not having a son to follow him in the job, and initially rejects his daughter’s love, eventually becoming reconciled with her before his death.”

Over the 82 years the theatre productions were still a focus on the event. However, back in 1994 I arrived to see two of its more custom like events – the Victorian bathing and the Grand parade.

The former was bizarre as if I had been sent back in time only the camera and the boats on the horizon reminded me I was back in the 20th century as there on the beach ready to dive in a collection of people dressed head to toe in Victorian bathers. Although this was June the water did not look that inviting and warm and a head to toe ensemble might not be too bad an idea. They all rushed to the water to have a paddle and the obligatory photo and some slipped away. Other rushed headlong and dived in.

The parade was a much more spectacular affair and it was clear that a lot of effort had been put in by those involved. Fronted by Oliver Twist and Mr Bumble with his ‘comforting’ arms around him with a pipers band. Behind them every character Dicken’s fertile imagination had concocted appeared to be there for David Copperfield to Pickwick. A great entertainment could be had trying to name the characters and some had really gone to town even affecting their characteristics. There were a few non-dressed entrants like the Brownies as well which rather broke the illusion. Each carried banners and shields. One of the most impressive was the stilt walking ghost from Christmas carol! But of course the most were in Victorian day wear and one could even hear the sound of crinoline!

Custom demised: Stilton Cheese-rolling Cambridgeshire

Standard

“Maybe the sign should be removed as we can’t be bothered anymore.”

Mention Stilton and we all know what that means – cheese – despite the fact no cheese has ever been made there it was an important nexus point for cheese distribution. A delightful small town which has grown along the main great North Road – the A1 – feeding off the trade that has passed through it. It was an annual May bank holiday event until recently

Hard cheese

It is said that the custom was developed in 1959 as a response to the great artery of the town, the A1 being bypassed – great for traffic and concerns of pollution – but not great for trade. So local pub landlords thought how could we attract people to the town. It is said that one entrepreneurial landlord started rolling a wooden stilton outside his pub and eventually others joined in. The custom was not a constant calendar event near the beginning of its existence and was rather sporadic.

Soon however some structure developed for the custom. It would be done in teams of four all of whom would have to roll a wooden cheese from the Bell Inn to the crossroads at the bottom of the street. The rules being that all members of the team must touch the cheese at least once during the competition or being disqualified.

The competition developed into a knockout one with male and female teams, children and even wheelchair users having rounds. The prize? Stilton and beer of course! Around this would develop fun fairs, maypole dancing and the traditional fayre fair – a great day out.

A rind trip

I visited the cheese rolling back in 2001. There was a real festive feeling with everyone focused around the closed off area and cheering on the rollers. There were teams in fancy dress and some who clearly took it too seriously shouting at each other to ‘touch the cheese’. This was serious stuff and a sensible team would wear a decent pair of gloves! In the crowd someone kept shouting Limp Biscuits’ then recent hit ‘keep rollin’. To be honest it didn’t look easy and occasionally the large ‘wooden’ cheese veered off into the audience and the hit the railings nearly knocked over a toddler who was holding on . There was some real competition when the finishing line was reached with teams putting on the speed and hoping that the cheese was well behaved. All in all it was great addition to the roster of calendar customs especially in an area not well known for surviving customs.

Cheesed off

Then in 2018 this was announced

“After months of discussion Stilton Community Association has to announce that there will not be a Cheese Rolling on May Day Monday in 2018.”

Why? Well according to Raymond Brown in the online Cambridgeshire News article from 2018 stated:

“There are many reasons. Firstly, in recent years there has been a disappointing lack of enthusiasm for taking part in the cheese rolling. In 2017 there were only two teams registered. Eventually enough teams emerged, but to make a real contest we need 12 to 16 men’s teams and eight to 12 ladies teams. We have not come anywhere near these targets for four years. The young people are marginally more keen to join in, but it is no longer seen as “cool”.”

Cool? When has that ever stopped a custom? The article continued to list some of the regular nemesis of traditional customs:

“The team who ran the Cheese Rolling races retired after 2017’s event. No one has come forward to replace them. The working party who construct the course, organise the street scene and clear up (mostly non-residents of Stilton) are depleted in numbers and 2018 dates are difficult for them.”

This plus:

“The costs of putting on the event escalate every year. In recent years the event has just about broken even. Insurance is ever rising; we also now have to pay for waste disposal etc.”

The policing of the event is:

“There are serious security problems. There will not be a police presence, except if we pay a considerable fee. This means we have to employ professional security, both in the village centre and at the Pavilion.”

Sadly it looked like some of the popularity had attracted the wrong sort of interest:

“Public order is now an issue to be dealt with. In the past, Cheese Rolling had a reputation of a pleasant, family friendly day out. In recent years the atmosphere has changed and the issue of underage drinking has threatened our safety. This also threatens the livelihood of the shop and pubs.

“There is no solution to the parking problem which causes congestion beyond Norman Cross

“The disruption to residents of North Street, High Street and Fen Street has become less acceptable to new residents of these roads. Volunteers who help have been subject to nasty verbal abuse which cannot be tolerated.”

On their own each of these could be overcome perhaps but like anyone looking for a reason to kill something off the combination is a bit too much to stomach and so it was finished. One might ask is it still needed? Are there other reasons to visit Stilton or will it now slip back into bypass obscurity. Who knows – the organisers promised a return in 2019 – it did not – and so I think after the custom cull of 2020 it is very unlikely to roll back to existence.

 

 

Custom contrived: Sheringham Viking Procession and Long Ship burning

Standard

When one thinks about Viking festivals one will probably say Up Helly Aa, some may mention York’s Yorvik festival or even Flamborough – only one of which unfortunately I have had the pleasure of attending. Few might say Sheringham, a fantastic week long event, has rapidly getting a reputation to rival the others.

Taking a Viking to the place

Sheringham takes it name from Shira meaning a Viking Lord and Heim meaning home. The custom, fairly young, was started by a local artist called Colin Seal who saw a potential to both honour its heritage, raise its profile and produce some well needed money for the seaside town in a time which is traditionally very quiet and not a time we think of visiting the seaside. In an interview for North Norfolk Press he stated:.

“After Christmas, it’s a bit of a let-down…January and February are quite miserable, so it’s nice to have something to do and, even though it’s cold, people wrap up and we go ahead whatever the weather.”

Cold it was, but at least the sun was shining as we arrived. It had certainly lived up to its promise. The town was very busy with adults and children milling around awaiting the procession.

Over the week there had been all manner of Viking themed events in the museum and local Oddfellows Hall transformed into a Viking Hall from shield and axe making to talks on Viking history but it was the final day which attracted my interest – a whole day of Viking re-enacting culminating in a splendid Viking Longship burning.

Been inViking to a great event

The event now run by a carnival committee also attracts a considerable number of reenactors from Essex to Leicestershire; although the local Gorleston Wuffa group were the main group. There was said to be around 200 and they certainly looked impressive. These re-enactors were excellent looking very convincing both in dress and hair. There were beards a plenty and lots of menace. It really did feel as if the Vikings really had landed that day as they assembled on the clifftop showing off their archery and axe throwing.

However it was the torchlit procession that I was waiting for. Slowly the sun was setting glimmering across the water and people were massing along the road and on the beach.  The Vikings then began to march, both men and women, holding their torches to the side. The warm of the torches certainly helped keep the crowd warm but it was about to get a lot warmer. Behind them came their Long boat and slowly they dragged it to the beach down the ramp followed by two Vikings carrying their torches aloft and the crowd behind them. Two groups of Vikings awaited holding their torches facing each other ready to burn it as the boat was physically raised over the pebbles to its burning place.

Do Burn your boats

Soon the Viking crowd threw bits of wood and other combustibles. The 28 foot long Longboat was an impressively made piece and a shame to see it burn, with its menacing dragon head. According to the Eastern Daily Press it:

“built by West Runton carpenter Brian Howe and his son Henri.Featuring a dragon-like figurehead with mythical creatures and Norse themed decorations on the bow, the boat also includes a mast and sail, as well as more than 30 hand-painted Viking shields emblazoned with the names of the town businesses sponsoring the festival. Weighing in at around 500lb, it has been painstakingly painted over hundreds of hours by a team of volunteers led by artist Jill Brammer, Viking Festival founder Colin Seal and former TV and film set designer Chris Neville.”

It was slowly lowered by the awaiting torch bearers on the softer and flatter sand. More and more wood was laid within it and one by one the torch bearers threw their torches in. A blast of the horn went out and the crowd cheered high above beach at a safe distance as the Vikings magically bathed in its glow. Raising their axes and swords the Vikings formed a group menacingly! Cheers went out from the Vikings and slowly but surely the boat began to be engulfed in the flames. As the sea lapped at its footings the flames continued to burn until after around an hour it was nothing but burn scraps, flames leaping into the air as it lay on its side collapsing. All in all a remarkable end to an excellent day and week.

 

Custom contrived: Chepstow Wassail and Mari Llwyd

Standard

Each January the boarder town of Chepstow becomes home to a fascinating mix of Welsh and English customs – The Chepstow Wassail. A colourful picandmix custom.

On arrival it is very evident this has become a rallying place for all people who wish to celebrate the winter and as such Morris teams from a wide area attend. The town is awash with blacks, purples and the sounds of bells, cries and clashing of sticks.

Strictly speaking the custom is divided into two – the wassail an English luck giving custom previously described here and the Mari Lwyd – a Welsh house visiting good luck custom which has not been fully covered yet in this blog.

When I arrived there a large group had assembled around a rather raggedy looking tree below the grounds of the castle. Here some Border Morris were half way through an apple wassail, pouring ale over the roots whilst the congregation assembled singing a wassailing song, toast attached to trees and ribbons swaying.  Everyone despite the cold was enjoying themselves smiling and enjoying the special bond the custom had established.

A few metres away were some dancers and weaving in an out of the crowd were Kentish Hooden Oss making the children laugh and look bemused in equal measure. They were a fair way from home again indicating the countrywide popularity of the custom.

No room at the inn or stable!

However in the pub nearby was a Mari Lwyd, one of a number in the town, which was about to go through the Pwnco, a rhyme/song full of riddles – a sort of old Welsh rap battle! The landlord was preventing the Mari Lwyd and his team from entering. From a casual observer one might agree for outside clad in a white sheet was a scene from perhaps from a horror film – a bleach white horses skull. The Mari Lwyd is a curious custom and one we will only briefly discuss here.

“The discussion was From inside the house

What, ho! Morganwg’s happy land
Is full of corn and barley
What, ho! is your request – demand?
Answer! We grant short parley

From the Mari Lwyd party outside

Honest men are we, who sue

Favours many, money due
To the Mari Llwyd from you!

From inside the house to end the contest

Come in, come in, and sit at ease

Ye merry sons of Cymru
Here’s sweet metheglin, here’s cream cheese
With milk, cream cakes and flummery!”

The Mari Lwyd is a strange mixture of macabre and marvellous. Its empty eye sockets filled with sparkling green glowing glass eyes, upon its head a crown of flowers with ribbons attached which flew in the cold winds. Its head shrouded to make it look even more mysterious – and hide the pole. Its jaw open and closing like a clapperboard.

Once inside it joined a whole throng of Mari Lwyds snapping and leaning over into people’s lunches and attempting to drink their lemonades! Those who expected them were very amused but there one or two who found it all a bit too weird.

Border Morris on the border

As darkness fell the main proceedings begun. At first the Mari Lwyds went to the bridge for the famed “Meeting Of English and Welsh at the border  Here a large crowd had assembled at the ‘border’ some carrying England flags on the English side and the others Welsh flags. The official start begun when a large rocket was sent into the air to tell the Mari Lwyd that the English wassailers had finished and that they were about to reach the bridge’s middle. With them the group carried lanterns, played music and carried a large apple cart carrying the symbol of their wassailing – a decorated apple tree. As a horn sounds, the sign of the English approach a which both them move slowly to the centre shouting and cheering carrying their flags. Warlike in a way if it wasn’t so surreally apparelled. Despite their menacing approach as soon as the middle is meet celebrations break out, hand shaking, flag exchanging and singing. Wassail to everyone and happy new year. If only every border was like. The Welsh invite the English over to join them in Chepstow. After then the Mari Lwyd descended upon the Chepstow Museum. Here the crowd once again got into good spirited boisterousness, name calling and ilk. Here the Pwnco continued until the Lord and Lady of the ceremony appeared at the museum door and offered a wassail cup full of mulled cider.

A meeting of skulls

Organised as event to revive local music dance and folk customs locally by the The Widders Welsh Border Morris and Tim Ryan of the Severn Princess ferry restoration since 2005 and has grown from strength to strength. As mentioned teams come from far afield across Wales and into the midlands and beyond. In 2019 there were 30 Mari Lwyds although this included some out of area versions such as Kimberley’s Owd Oss! For a custom once in decline it is clearly more and more popular. Indeed popularity has been an issue and in 2020 the custom went for a rest and a re-think due to its massive success. An article in a local newspaper stated that:

“It has grown so much in popularity since it began 15 years ago, to the extent that organisers have pulled the plug while they ponder how best to reorganise it. Mick Lewis, a member of the organising committee, said he is proud that they have built such a popular event, and confirmed the festival will return in 2021 after a period of “soul-searching”.”

One of the organisers stating:

“Fifteen years ago we started with just one Mari Lwyd, and now we get over 30 turn up, along with hundreds of people,”

Such can happen to customs, that their popularity outweighs their origin provision and thought. Bloggers like myself must be very aware of the impact our reviews can have. So I should state that the Chepstow Wassail is a great custom perhaps to reduce numbers not one to go to every year and spectate.

Custom revived: Richmond Poor Owd Oss

Standard

“The most exciting Christmas custom was that of the Poor Old Horse which perambulated the town from one public house to another.”

William Wise 1888

It is not very often that a revisit a custom – but the Poor Owd Oss, Old Hoss or T’Owld ‘Oss of Richmond is different enough from its southern stablemate to have a separate account – and it is also not often you come across a custom which the great legend of traditional ceremonies, customs and British culture Mr. Homer Sykes, has not attended and photographed – in conversation with him he said he hadn’t heard of it and thought ‘why have I not done that one’. So I thought I would use this post to describe my experiences with the Poor Owd Oss and the history I have gleaned of it.

Take a horse to Richmond

Richmond is a delightful old market town nestled in equally picturesque Swaledale. A place that deserves many customs – it had at least three customs which are unique to the town – the poor Owd Oss being the most curious and certainly entertaining. A town nestling in both racing and hunting territory it is therefore not surprising to see a horse based custom. One which in itself regals in the hunting pink and crops of its attendants.

The words for the song were possibly first recorded academically by Robert Bell’s  1857 Ancient Poems, Ballads and Songs of the Peasantry of England, under the title The Mummers’ Song; or The Poor Old Horse, As sung by the Mummers in the Neighbourhood of Richmond, Yorkshire, at the merrie time of Christmas who adds:

“‘The rustic actor who sings the following song is dressed as an old horse, and at the end of every verse the jaws are snapped in chorus.”

The song sung is as follows although not all verses were sung dependent on the time the group wanted to spend in the place!:

You gentlemen and sportsmen,
And men of courage bold,
All you that’s got a good horse,
Take care of him when he is old;
Then put him in your stable,
And keep him there so warm;
Give him good corn and hay,
Pray let him take no harm.
Poor old horse! poor old horse!

Once I had my clothing
Of linsey-woolsey fine,
My tail and mane of length,
And my body it did shine;
But now I’m growing old,
And my nature does decay,
My master frowns upon me,
These words I heard him say,
Poor old horse! poor old horse!

These pretty little shoulders,
That once were plump and round,
They are decayed and rotten,
I’m afraid they are not sound.
Likewise these little nimble legs,
That have run many miles,
Over hedges, over ditches,
Over valleys, gates, and stiles.
Poor old horse! poor old horse!

 I used to be kept
On the best corn and hay
That in fields could be grown,
Or in any meadows gay;
But now, alas! it’s not so,
There’s no such food at all!
I’m forced to nip the short grass
That grows beneath your wall.
Poor old horse! poor old horse!

I used to be kept up,All in a stable warm,
To keep my tender body
From any cold or harm;
But now I’m turned out
In the open fields to go,
To face all kinds of weather,
The wind, cold, frost, and snow.
Poor old horse! poor old horse!

 

My hide unto the huntsman
So freely I would give,
My body to the hounds,
For I’d rather die than live:
So shoot him, whip him, strip him,
To the huntsman let him go;
For he’s neither fit to ride upon,
Nor in any team to draw.
Poor old horse! you must die!

So at each location, the group discuss ‘first three?’, ‘last two?’ In reference to what verses they recite. It is said that there were once 20 verses but the six verses above make sense, it would be difficult to see how any more verses would add anything.

During the song the ‘horse’ performs a number of actions. He even ‘nuzzles up to the huntsmen gallops and leaps, over hedges, over ditches, over valleys, gates and stiles’ and chomps on the ‘best of corn and hay’ and then forced to nibble the short grass and he is turned out to winter. In the winter he trembles with cold until he is finally beaten down by all the attendants with their whips and dies when he is neither fit to ride upon nor any teams to draw’. However, after he falls he is up again in the death and revival seen in all ‘mummer’s plays’

In the past it was accompanied by a fiddle, fife and drum, with a number of attendants, two of which were huntsmen, who carried long whips which they cracked throughout the song. In those days all of the T’owld ‘Oss party blacked their faces, which of course is the best way to disguise oneself.’

This is seen in a photo from around the turn of the century. Not so now and he does not appear to have been so since modern times. Now these attendants were in a well-dressed – possibly the best dressed – uniform as noted of hunting pink and top hats, these being adorned with holly and mistletoe.

I attended on their annual outing in and out of shops, cafes, banks and hairdressers in the town but days before they had done a prestigious circuit of villages and surrounding towns, going as far east as Malton. On the night of Christmas eve they extend their travels into the larger houses of the district being the guest of Aske Hall’s the Duke of Zetland. I was impressed by their routine but what is noticeable that unlike virtually all over such teams they do not collect for charity, indeed there is no evidence of any money collected. I enquired of this, one of the attendants explained that ‘Charity is a very personal thing and they did not feel it was right to impose a charity on people.’ They said they made it clear that any money given went to maintaining the costumes and ‘horse’ which do need to dry cleaned, tidied up and re-upholstered on occasions which is expensive.

Was is also interesting is that the group is not made of off duty Morris, as nearly all over ‘mummers’ are. Indeed, one too issue over the name ‘mummer’ although from an academic viewpoint this is what such customs would be called. Nor are the group, folk singers or folkies in general. No the team were local people who wanted to keep the custom going.

Horse has bolted?

When I turned up I thought I had missed it as a stream of people left the Town Hall and one of two of his attendants separated from the party and only partly dressed stood around drinking outside. Inside the town hall, the group were being feted by the town’s mayor with copious amounts of whisky after having entertained children and their parents in a show. Had they been around and this was their finally? I asked one of the company ‘what time do you start again?’ hopefully.

Julia Smith (1989) in Fairs, Feasts and Frolics states:

“My original informant remembered how she had been frightened when she came upon the ‘horse’ prancing through the streets when she was a child. She thought it had been connected with one family, and she was right, as I discovered when I found Mr Bill Ward. It was Bill Ward’s maternal grandfather Edward Peirse went out with the horse in the late nineteenth century and various members of the family have been involved with it over the 100 years.”

Although Julia Smith (1989) states that:

“the custom has never died out completely’

Image may contain: 5 people, people standingThough as she herself was told by Mr Ward ‘the horse may have remained stabled for short periods of time’. The Second World War was one period of rest and as Julia Smith states:

“After the second world war, when Mr Ward first became involved, he and his cousin visited a horse slaughterer to obtain a house’s skull which was boiled for them. They fitted the skull with eyes of black glass, painstakingly chipped from the bottle of old wine bottled and rounded on the inside. The skull was wired together so that the jaws could be opened and closed, while the inside of the mouth was lined with red plush velvet. The whole skull was covered with material to represent the skin….the horse…was adorned with artificial Christmas roses and poinsettias”

Horsing around again

Following the Old Oss for the day it was evident it was a welcome sight. We entered a barbers, where one of the team explained it to the hairdresser, into a packed Costa Coffee where the horse attempted to steal sandwiches and drink coffees, interacting with young children with a mixture of fear and confusion. We travelled down to the Old Station where a large crowd were entertained and terrorised. Some appeared to find it a little strange and odd! Perhaps the oddest was in Barclay’s Bank.  Here the team were rewarded with mince pies and wine by the bank manager – you don’t get that with internet banking.

Image may contain: shoes and outdoor

Back from the knacker’s yard!

However, this is not exactly accurate as a house or pub visiting custom it appears to have died out shortly after the second world war, in the 1950s. The reason given is the impact of TV. When the teams visited the houses with the Horse, they felt they had been intruding and that people were more interested in the TV. As a result I was informed that the head was buried for a long period in Mr Ward’s back garden.

It was not until the early 80s I believe that a local man interested in the custom, called Mick Sheenan, asked Mr Ward if he could revive the custom. No one appeared very clear on the date but I wonder if Julia Smith’s not being aware of it suggests close to the publication date of her book? It is mentioned in Quentin Cooper and Paul Sullivan’s 1996 Maypoles Martyrs and Mayhem:

From the week before Christmas, pubs and parties around Richmond, North Yorkshire are the main targets of the Richmond Poor Horse players. These mummers perform and sing the Poor Old Horse which describes a horse’s life and death. One man, dressed in garish mock-horse guise – complete with decorated horse skull – mimes the appropriate action.”

The horse is looked upon a bringer of luck and fertility and indeed as the group moved around people rushed up to engage with the horse, rub its head. However, the visitations have not always been popular and as is experienced by many teams visiting pubs you can find you are not as popular as you thought. In one visit a drunken squady thought it would fun to show it who was tough and headbutted it – the result blood and a broken nose. In another the horse was worse for wear when after accidentally hitting someone at a bar, it was repeated pummelled so much that they had to drag the horse out of the fight!

Horse whispers?

How old is the custom? Bell was emphatic stating that the:

The ‘old horse’ is probably of Scandinavian origin,– a reminiscence of Odin’s Sleipnor

Quentin Cooper and Paul Sulivan’s 1996 Maypoles Martyrs and Mayhem state:

“The creature dies, and then rises again; at which point you realise that you have strayed into totem-beast-as-Celtic-god territory.”

Whilst that is possible that the ‘horse’ remembers something ancient, it is more probable that the song is more contemporaneous to Bell’s time. Steve Roud in his 2005 The English Year places the custom between 1840 and the middle of the 20th century. The death and rebirth is always cited by folklorists as evidence of the ancient origins tied to the dying of the sun at winter and indeed the song does have a similarity to the seasons. However, one can argue so does all life and thus it could be a pure coincidence. I have argued that it was done during winter for pure financial reasons people were in greater need and others such as the landed gentry more generous. Were they trying to remind us of how poor they were with their dead horse? Is it possible that the custom was a simple house visiting custom as like the Mari Lwyd, a welsh horse, in which a team decided to add a song perhaps when it translated across to England? Or are the Mari Lwyd and poor old oss a coincidence? The financial impact of which meant an increase in popularity and the spread of the song. The limit of the song to Yorkshire, north Derbyshire and north Nottinghamshire suggests that it had slowly spread from a point of creation – likely to be Yorkshire – and had not fully spread when it had begun dying out as Roud notes in the mid 20th century. However does it really matter? For some the custom harks back to our old pagan times some like it for the weirdness.

Richmond’s T’owd Oss ended up for the last time on Christmas Eve in the pub where he was beaten to death for the final time that year…but he’ll be back next year no doubt!

Image may contain: 10 people, people smiling, people standing

Custom contrived: Matlock Raft Race, Derbyshire

Standard

Image may contain: 4 people, outdoor, water and nature

Matlock Bath is justly proud of its Venetian carnival but there is another aquatic antic which is less genteel and shows the other side of the town a more raucous one. On Boxing Day crowds line, many prepared with deckchairs and pack lunches to watch below and indeed interact with the bizarre array of rafters below, as they speed or drift passed.

Draft idea or not

Local tradition tells that in 1961 a group of divers finding little they could do over the cold winter months decided it would be a good idea to come up with a fun charity event. Obviously picking Boxing Day as a day associated with wacky races and sports in general they set about organizing their first raft race. From the first year it was a huge success with people entering from all over the country with over 100 rafts taking part. Over the years the event has become more and more popular and as befits a calendar custom more and more bizarre!

Like most races its impossible to see beginning in end and most spectators simply watch for them as they flow and often rush down river, over the weir, often creating some hilarity depending on the seaworthiness of the raft and then to Cromford meadows at the finishing line.

Raft of ideas

With around 50 rafts there was a great array of oddness. There is a prize for the best dressed raft and it did not disappoint. Dressed in their obligatory helmets and floating devices for safety reason can be seen super heroes, men in drag, cartoon characters, there was a real attempt to make a show of it. The rafts were pretty amazing too and a considerable amount of effort had gone into them. The most amazing were the cut down cars, in particular in a mini, which sadly in its appearance stuck in the water would have been seen in the 2019 floods thereabouts. An account in the Matlock Mercury published on Saturday 29 December 2012 put it well:

In a show of bravery and sheer madness the intrepid rafters dressed up as members of the Muppets and Santa Claus, furiously paddling Minis through the rapids to the delight of spectators.”

Image may contain: water, outdoor and nature

Raft of missiles

The custom is not the most popular amongst certain quarters. Huge crowds had assembled overlooking the river cheering and waving.  Along the path by the river signs proclaim:

“No Eggs No Plastic bags”

This is reference to one of the strangest aspects of the custom, the throwing of objects at the rafts. As if navigating yourself down a river on a cold day in December was not enough the tradition of throwing eggs and flour at the participants has developed. When I arrived the whole walkway had become a slippery morass of flour and egg like some pancake making disaster. Crowds cheered as they pelted the contestants with flour bombs made on flour wrapped in clingfilm – hence the concern that these would affect the wildlife – a point I could not disagree with. Indeed, this aspect of the custom is one which would bring it close to closure I feel. One person on the bank had a whole bag full of pre-wrapped flour bundles, there must have been hundreds.

Image may contain: 3 people, outdoor and water

On the Derbyshire Dales website in 2017 the following pleas were made, with Paul Reeves, Environment Officer at the Environment Agency, saying :

“We realise the Matlock Raft Race is an important social event for the area, which attracts a large number of local residents as well as visitors from further afield, has a positive impact on the local economy, and raises funds for the Royal National Lifeboat Institution (RNLI).

“However, we are appealing to spectators to consider the environment by not throwing flour-filled plastic bags or other objects at the raft racers and into the water this year.

“If plastic or paper bags enter the watercourse, they pose a real threat to wildlife both locally and further afield. Last year there were sightings of water birds trying to eat floating flour-filled bags, and the deadly impact of plastics on river and sea life is well known and currently in the news.”

Councillor Lewis Rose OBE, Leader of Derbyshire Dales District Council, said:

“The Boxing Day raft race has become something of a tradition here in the Derbyshire Dales and long may it continue. However, we absolutely support the Environment Agency’s plea to spectators to refrain from activities that threaten the environment and wildlife, as well as littering our waterways and streets.”

It made no effect as I saw in 2018!

Of course the rafters do not just idly pass by and let this rain of missiles happen. No they are prepared. Many carry super-soakers and some even water cannons. A number protect themselves with umbrellas. The crowd at times can get thoroughly wet and flour covered and one wonders how this all started. Did the rafters start the war or the onlookers felt the need to get involved. It is all hilarious stuff and a cheer goes out if a hit on the raft results in a participant covered in flour – but they were soon to hit back.

I watched as a cloud of flour fell over the edge to coat a superhero below soon to be greeting the assailant with a rapid fire of the water cannon. I passed a family covered head to toe in flour who had been caught in the crossfire. They were as happy as can be. But it is messy stuff. Unpopular and from the mess and litter one could see why but it would be a shame to see one of the best aspects of the custom disappear due to a lack of lateral thinking.

Recent events with flooding meant that the Raft Race was cancelled for the first time perhaps ever. One is concerned that the gentile folk of Matlock Bath do not use its temporary cancellation as a permanent one

On their website it was clear how popular the custom is:

Social media activity around the cancellation was outstanding (the cancellation post reached over 20,000 people and shared by 1,500 people), it is clear that the event is well loved and appreciated by individuals and families, some travelling from far afield to take part and see the event.”

On the website the organised discussed its cancellation. It seemed that there were genuine reasons for the cancellation following the terrible 2019 floodings. However it did seem a shame in a year when Matlock’s river had become a threat not a gift not to allow something which would have seen it in a positive light. However I feel we will once again be covered in plumes of flower and soaked to the skin when it returns in 2020.

Custom revived: Luddenden’s Mock Mayor

Standard

Nestling in deep valleys with its stone buildings and winding streets, Luddenden looks like a place where traditions survive and indeed on the second Saturday in September crowds assemble to see a wide range of weird and wonderful events from bale, maggot and duck racing – not together of course culminating in a making of a local mayor – a mock mayor, although they are never called that, of Luddenden!

The Mayor making day certainly brought the village alive with a  range of events and stalls around the village’s pub and spilling through the churchyard. The bale race was exciting to watch as they raced around the town carrying straw bales on their shoulders. Indeed, there are a lot of races going on – a maggot, duck, bale and pint. The pint race was particularly enjoyable watching a rather fast and then slow race of people carrying a pint in each hand around the outside of the pub. I did wonder why I had not seen this before. And don’t worry there was a tee-totalers one with water.

By half past four crowd had formed around the Lord Nelson Inn in Luddenden to see the 157th Mayor elected (although not strictly true as the event as we shall see when through a bit of a hiatus ). Then the main event the inauguration of a new Mayor. Standing in front of a large St George’s flag and an equally large Yorkshire flag on the raised area of the war memorial, the outgoing Mayor wearing the red coat, tricorn hat, frilly shirt, chain and ermine gave an leaving speech and then it was over to the new Mayor to be announced by the master of ceremonies in morning suit and top hat. The crowd cheered and laughed as the new Mayor gave their incoming speech full of local in jokes.

Image may contain: 2 people, people smiling, people standing and outdoor

May or May not

Like other Mock Mayors the custom begun as a slight at the growth of local towns such as Halifax and a self-acknowledgement of the settlement’s own growth. The town resented Halifax’s growth encompassing the town and thus having a Mayor who would govern over the settlement. So if one town could have one why could we not? So in 1861, the customs of the local Lord Nelson Inn elected their first Mayor. To make it official they bought a chain of office to match that of Halifax in its elaborate nature and set about giving the Mayor a suitable location. However, Luddenden could not claim to have a Town Hall like Halifax and so the snug of the Nelson became the ‘Mayor’s Parlour’ with a bench known as the Mayor’s chair.

To be elected Mayor one had to sit in the chair. Whether this was by design or accident is unclear. For the person who sat in the chair would become by custom Mayor for a month. However, they were also invited to pay for drinks for everyone in the bar. It seems likely these two aspects might well have arisen after the decline of the custom and that the Mayor role might have been for a year at least! Then after years in abeyance in 1996 the local community decided to revive the custom. Today local people are invited to become the Mayor back in June when adverts appear in the village.

Now though the Mayor is treated a real bone fide entity, especially by the local press. Like a real Mayor Christmas lights are turned on and social events such as Burn’s Night attended.

It is evident that part of this view that the role is a real Mayor is due to the role the Mayor has in the community. As Committee member and licensee of the Lord Nelson pub, Debbie Collinge in the 2005 Halifax Courier:

“It brings the community together and it is all fun and games. The money from the fund-raising keeps things alive in the village.”

In essence she said it ‘keeps the area strong. This is due in no small part to those fund raising activities. The Mayor has a Mayor’s fund with a committee elected at the same time. Fund raising over the years have included money raised for local swings

Each year the Mayor picks a challenge. These have ranged from cycling the equivalent distance between Paris to the village and raising £1600 for Breast Cancer charities to climbing Yorkshire’s Three Peaks for the Atrial Fibrillation Association.  The former being on static bikes and I assume they will be climbing real peaks though!

Luddenden’s Mayor – a mock mayor in principle but one that does not make a mockery of their responsibilities.

Custom survived: South Ronaldsay Festival of the Horse and Boy ploughing, Orkney

Standard

St Margaret at Hope is a settlement which sweeps along its harbour, an important port for the ferry too and from mainland Scotland. I wonder how many passengers are aware of the village’s unique custom – the festival of the horse and boy’s ploughing – really in essence two customs.

Plough a deep furrow

As I arrived boys and their parents were arriving clutching their tiny ploughs. Inside the school other parents feverishly dressed their children to resemble shire horses, perhaps one of the county’s most curious of customs. Outside a crowd gathered entertained by a local band doing their own rendition of ‘Road to’ in a Phoenix Nightseque fashion. At first the boys existed proudly holding their ploughs and sat down on a bench. Then the sound of a piper could be heard flowing out of the school and then sparkling and clanking lined up in front of the ploughboys, ready to be judged.

The aim of the costume is to represent the shire horses which would drive the plough in their ceremonial dress. As such the dress would include a large collar, blinkers and feet decorations. Around their neck was a large heart which would indicate symbolically their name. The costumes are a mixture of old and new, some of the oldest being handed down through generations having real horse red white and blue pompoms and horse hair dating back 50 years ago. The basis of the dress would be the Sunday suit which could be easily adapted to do the job. In a report Moira Budge chairperson of the South Ronaldsay Ploughing Match in The Scotsman :

“We have known of a baker’s family who used cake frills around the feet to look like the feathers of a heavy horse. There was also a newsagent who used the trinkets and brooches that sometimes came with magazines…People just used what they had and the adornments were sewn onto the Sunday suit. In the past it was very basic as it had to be sewn on and taken off again before Sunday…Once people had more money, they could keep a suit aside and the decorations became more fancy. Next year, they would add a bit more.”

DSC_0456

Just horseplay

To ensure the costumes were ready and in their finest condition work would begun back in April I was told, often old broaches and personalised jewellery would be added. Despite their apparent complexity many parts of the costume would be easily made. For example the collar would be made first from cardboard with foam laid on it and them covered in fabric. The backs are almost as decorated as the fronts with gold braiding, necklaces, broaches, tiny mirrors and shining bells perhaps to ‘reflect away’ bad luck. The costumes themselves have a sort of Scandinavian feel about them – perhaps not surprising as Orkney was Norse until the 1400s.

Brian Shuel (1985) National Trust guide to Traditional customs describes it well:

“All the items are profusely decorated literally like the most overloaded Christmas tree, with bells, baubles,, tinsel, beads, rosettes, ribbons, tassles, plastic flowers, cracker novelties and anything else which may come to hand during the several generations it took to being hem to their present advanced state. You could hardly see the girls underneath it all.”

The array of costume differences is quite amazing considering the limited pallet of what this costume could consist of. Some incorporated real horse harness and I was amused to watch one participant chewing on their bit. Girls with long hair would have it platted to mimic that done to the shire horses and fake tails would also be added.

The parade did not last long, soon a massive cloud appeared from nowhere and the brightness which bounced off the bangles and bits disappeared and everyone ran inside. Here dutifully the ‘horses’ stood on their podium and the judging continued. Amusingly like horses, parents administered cold drinks by holding them up to them with draws or feeding their sweets as the ‘horses’ could not hold them themselves as they had fake hooves in some cases. I was very impressed with the stoic nature of the ‘horses’ standing so still under what must be very heavy and hot clothing and conditions. Even the youngest were patient and keen to smile when the cameras looked in their direction. Only one after around an hour of standing decided to have a break. On the announcement of the best dressed and best harness, the winners dutifully stood forward. I spoke to the two judges, who had just that week come from a judging of real horses, said it was difficult to judge the best dressed as it was subjective, but as the harness had to have specific pieces – eg bit, blinkers etc, this was easier as some had forgotten to include some items – no doubt out of comfort!

Plough on

Not only would the horses be judged but careful consideration was made of the ploughs. These ploughs being often family heirlooms and could be nearing 100 years old. The judge carefully examined each running their hand gently along the side, feeling the balance and examining carefully the blades. Then there would write careful notes in their notepad considering the best wooden and metal ploughs. Originally they pretended with a stick with an Ox hoof tied to it. Then a local blacksmith called Bill Hourston made a replica plough in 1920 which clearly caught on and subsequently all the participants had miniature ploughs.

DSC_0689

Ploughed up

When does the custom come from? I have heard it claimed that the dressing of the children as horses has pre-Christian origins being linked to the horse whispering tradition. However, as in many other counties the farmers of the settlement would have ploughing matches, where their skills would be tested and ploughs and horses inspected. Uniquely, however in this part of Orkney perhaps the children looked on and wanted to copy or some farmer worried about the lack of youth uptake in ploughing established it to encourage both the development of ploughing skills and foster a community spirit and good old fashioned competition. Early records of the custom are hard to locate and everyone I spoke to their stated it probably started in the late 1800s. The ploughing match has a common sense origin it was for the ploughmen to teach their sons the technique.

Perhaps as one could not breed miniature horses, the girls would have to get involved and pretend to be the horses. A far more sensible explanation, and so much for the pagan origins claimed by some reporters! Apparently there were similar events held at Burray and Stronsay. That of South Ronaldsay almost died out and the second world war being revived after a ten year hiatus by a local bank manager Norman Williamson and it has continued ever since. It is thought that the girls became involved after World War II, beforehand the horses were younger boys and indeed despite it being stated that the horses were girls there was one boy in attendance which in a way is probably more traditional and less likely to be highlighted as sexist! Always aware of the potential of how bad weather and tourism can stall and feed a custom, in the 1960s it was moved from the children’s Easter holidays to the summer in hope of better weather and more tourists!

God speed the plough

As soon as the ‘horses’ were judged and the dark clouds disappeared everyone jumped into their cars and off to the Sand O’Wright for the ploughing. Originally done inland, at Hope Kailyard, and at some point it was noticed that judging would be easier on the sand. Here earlier two ploughing veterans select an area of sand with minimal stones and the right moisture – too wet nor too dry. They then scrapped off seaweed, measuring the area out with a wooden set to square off the flats. Soon small groups of plough boys were practicing, listening to the sage advice of the adult, themselves retired boy ploughman.

Each boys selects a four square area called a flat each which are numbered and compete for the three categories Champion, Ordinary and under 8s. As the Boys ploughing began to start there was a real look of concentration on the faces of all the boys and a nervous look on their helpers. The boys had 45 minutes to do the plough their lines. I asked what the judges would be looking for. One told me it was for straight and consistent lines in the upward and both downward plough, equal spacing neat and evenness being particularly valued. Indeed, I was impressed how neat they were and it was clear considerable pride was taken in them.

DSC_0624.JPG

It was difficult not to be impressed and the way in which children from 5 to 15 got involved with intensity and enthusiasm. I spoke with one of last years’ champion class who was nervous at winning this year and remarked that he was not as neat with his handwriting as he was with the plough.

Sadly the ferry prevented me for attending the whole session and seeing who obtained the best finish and start, the straightest and the evenest. However, as a custom it is without doubt the most successful in providing both a community spirit and a colourful and unusual spectacle.