Custom contrived: Matlock Raft Race, Derbyshire

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Matlock Bath is justly proud of its Venetian carnival but there is another aquatic antic which is less genteel and shows the other side of the town a more raucous one. On Boxing Day crowds line, many prepared with deckchairs and pack lunches to watch below and indeed interact with the bizarre array of rafters below, as they speed or drift passed.

Draft idea or not

Local tradition tells that in 1961 a group of divers finding little they could do over the cold winter months decided it would be a good idea to come up with a fun charity event. Obviously picking Boxing Day as a day associated with wacky races and sports in general they set about organizing their first raft race. From the first year it was a huge success with people entering from all over the country with over 100 rafts taking part. Over the years the event has become more and more popular and as befits a calendar custom more and more bizarre!

Like most races its impossible to see beginning in end and most spectators simply watch for them as they flow and often rush down river, over the weir, often creating some hilarity depending on the seaworthiness of the raft and then to Cromford meadows at the finishing line.

Raft of ideas

With around 50 rafts there was a great array of oddness. There is a prize for the best dressed raft and it did not disappoint. Dressed in their obligatory helmets and floating devices for safety reason can be seen super heroes, men in drag, cartoon characters, there was a real attempt to make a show of it. The rafts were pretty amazing too and a considerable amount of effort had gone into them. The most amazing were the cut down cars, in particular in a mini, which sadly in its appearance stuck in the water would have been seen in the 2019 floods thereabouts. An account in the Matlock Mercury published on Saturday 29 December 2012 put it well:

In a show of bravery and sheer madness the intrepid rafters dressed up as members of the Muppets and Santa Claus, furiously paddling Minis through the rapids to the delight of spectators.”

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Raft of missiles

The custom is not the most popular amongst certain quarters. Huge crowds had assembled overlooking the river cheering and waving.  Along the path by the river signs proclaim:

“No Eggs No Plastic bags”

This is reference to one of the strangest aspects of the custom, the throwing of objects at the rafts. As if navigating yourself down a river on a cold day in December was not enough the tradition of throwing eggs and flour at the participants has developed. When I arrived the whole walkway had become a slippery morass of flour and egg like some pancake making disaster. Crowds cheered as they pelted the contestants with flour bombs made on flour wrapped in clingfilm – hence the concern that these would affect the wildlife – a point I could not disagree with. Indeed, this aspect of the custom is one which would bring it close to closure I feel. One person on the bank had a whole bag full of pre-wrapped flour bundles, there must have been hundreds.

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On the Derbyshire Dales website in 2017 the following pleas were made, with Paul Reeves, Environment Officer at the Environment Agency, saying :

“We realise the Matlock Raft Race is an important social event for the area, which attracts a large number of local residents as well as visitors from further afield, has a positive impact on the local economy, and raises funds for the Royal National Lifeboat Institution (RNLI).

“However, we are appealing to spectators to consider the environment by not throwing flour-filled plastic bags or other objects at the raft racers and into the water this year.

“If plastic or paper bags enter the watercourse, they pose a real threat to wildlife both locally and further afield. Last year there were sightings of water birds trying to eat floating flour-filled bags, and the deadly impact of plastics on river and sea life is well known and currently in the news.”

Councillor Lewis Rose OBE, Leader of Derbyshire Dales District Council, said:

“The Boxing Day raft race has become something of a tradition here in the Derbyshire Dales and long may it continue. However, we absolutely support the Environment Agency’s plea to spectators to refrain from activities that threaten the environment and wildlife, as well as littering our waterways and streets.”

It made no effect as I saw in 2018!

Of course the rafters do not just idly pass by and let this rain of missiles happen. No they are prepared. Many carry super-soakers and some even water cannons. A number protect themselves with umbrellas. The crowd at times can get thoroughly wet and flour covered and one wonders how this all started. Did the rafters start the war or the onlookers felt the need to get involved. It is all hilarious stuff and a cheer goes out if a hit on the raft results in a participant covered in flour – but they were soon to hit back.

I watched as a cloud of flour fell over the edge to coat a superhero below soon to be greeting the assailant with a rapid fire of the water cannon. I passed a family covered head to toe in flour who had been caught in the crossfire. They were as happy as can be. But it is messy stuff. Unpopular and from the mess and litter one could see why but it would be a shame to see one of the best aspects of the custom disappear due to a lack of lateral thinking.

Recent events with flooding meant that the Raft Race was cancelled for the first time perhaps ever. One is concerned that the gentile folk of Matlock Bath do not use its temporary cancellation as a permanent one

On their website it was clear how popular the custom is:

Social media activity around the cancellation was outstanding (the cancellation post reached over 20,000 people and shared by 1,500 people), it is clear that the event is well loved and appreciated by individuals and families, some travelling from far afield to take part and see the event.”

On the website the organised discussed its cancellation. It seemed that there were genuine reasons for the cancellation following the terrible 2019 floodings. However it did seem a shame in a year when Matlock’s river had become a threat not a gift not to allow something which would have seen it in a positive light. However I feel we will once again be covered in plumes of flower and soaked to the skin when it returns in 2020.

Custom survived: Matlock Illuminations and Venetian fete

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The splendours of Matlock Bath are perhaps difficult to explain to anyone not familiar with English eccentricity. Bereft of the seaside, Midland’s people appear to have created one inland, with its fish and chip shops, stick of rock emporia, amusement arcades and kiss me quick frivolity. If one looked at the main parade of shops which not only regale in these but are joined by an aquarium, rides, ice-cream eaters and rows of motorbikes..one could see it easily transferred to face some salty sandy strip, waves breaking and long pier but no..turn around and you’ll see the great river Derwent slithering through this valley of vicarious vicissitudes instead. This was and is a spa town and like many spa towns it had a defined season. Defined seasons are all very well when we are by the sea, when sun bathing is a bit problematic in Autumn…but I get the impression that for spa towns, especially those in the decline in the late 1800s, any way of extending this season and bringing more tourists in would be welcome…so as the summer season comes to an end, days shorten, Matlock Bath invites you to its most colourful attraction…the Venetian illuminations.

Bright idea

The event dates back to 1897, Queen Victoria’s Diamond Jubilee, which is interesting as Victoria was said to be the inspiration. She recalled that when staying in Matlock Bath, she remarked how she saw the candle lights of the town reflected on the Derwent when staying there and thought the mist over the river was magical…and so the town decided to capitalise on this description. These were the days when everyone hung on the thoughts of the monarch…has little changed!?

Tripping the light fantastic

So in 1897, a selection of fairy lamps, Chinese and Japanese lanterns was used and a torchlight procession was undertaken through the village. Coloured bonfires lit up the gorge and illuminated boats floated down the river. So popular was the event, that the local trades people invested in glass bucket lanterns to illuminate the parade during the first Saturday in September every year. The growing popularity resulted in the formation of a ‘lamp committee’ which organised these displays but it was not until 1903 that the decorated and illuminated boats became a regular part of the event with a competition for the best one established called the Arkright Cup. This competition continues till this day, with a longer month or so long festival being established in 1952.

The delightful Riverside gardens are the venue for this curious custom. No better location can be found which typifies the Victorian splendour of old. Here everything trees, fountains and wells, are adorned with old fashioned bulb lighting which as dusk envelops gives the area a magical enchanted feeling.

Light up!

I arrived at the opening ceremony to watch, the councillor to officially open the illuminations. The switch on in the 1970s and 80s was done by people as varied as children’s artist Tony Hart to Doctor who’s Jon Pertwee, disappearing in the 1990s in a way competing with Blackpool’s famous switch ons, which still continue. Two small children were selected and I was amused to watch another have a hissy-fit when they were not selected: I do hope they have the same view after seeing the Blackpool lights switched up by some celeb?!Ten-nine-eight-seven-six-five-four-three-two-one! Now with the help of these two small children selected from the audience, the delightful fairy-tale delight was switched on for another year. In reflection perhaps a celeb may raise the profile of the event, but understandably absence considering the appearance fees those celebs charge.

Bill and Ben

Float away

The main attractions here of course are the boats. During the day, these I must admit look unimpressive, but under the cover of darkness, their magnificence comes to life, especially when they are lit up all at once on their first outing. What is impressive, aside from the hundred and possibly thousands of bulbs, are mechanisms used, this year having a working Ferris wheel, swaying Chinese Dragon, and blinking eyed Thomas the Tank Engine Lorry. The first float however comes out solely being lit by candles as traditional, a custom which begun in the 1980s I believe to show what the original floats look like, in 2013 it was a bomber..impressive but not ad the main show and difficult to get a decent photo!

Light relief

At the end of the first evening, it was called upon for the councillor again to give out, the prizes. A strange collection of people clumped near the bandstand: Chinese mandarins, Smurfs, Willy Wonka! Four prizes were on offer in this Arkright cup. This competition has attracted some regular entrants, such as electrician David Gregory, who since 1971 has entered every year and won the cup 11 times.

With over 1800 coloured bulbs per boat, and over 100,000 visitors, Matlock’s illuminations are certainly in the big league when it comes to customs but outside the area little known especially compared to Blackpool.  Fortunately, for anyone reading this unlike when I describe these customs, they have finished, but in this case, the Illuminations continue every weekend until the end of October, so there’s still time to experience them if you are in the area.

On certain weekends, the night finishing with a spectacular fireworks.  A strange melancholy amongst the obvious vibrancy of a sky scattered in fireworks. The fireworks themselves subtly telling us that winter is on its way, time to tidy up and put the shops to bed..close down and finally reconcile oneself to the quieter winter ahead!

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Copyright image and text Pixyledpublications

Custom survived: Chalking on Epiphany Eve

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At the local catholic church I noticed at the mass before Twelfth night that they would be blessing chalk and handing it out to the congregation. Why is this you may ask? Well the church as does many across the Christian world – Catholic, Anglican and Orthodox continue a curious custom which has its roots deep within the superstitious world of the medieval mind.

At the chalk face

The custom appears to have originated in central Europe at the end of the middle ages and spread. When it first arrived in Britain is unclear and indeed it is equally unclear how long as a custom it has been undertaken but a cursory check online would suggest it is fairly widespread from Paisley to Plymouth.

When and actually what is done varies in some places it would be done on New Year’s Day, but more commonly it would be done on the more traditional Feast of the Epiphany. Indeed, as noted in the introduction it would take place after the Epiphany Mass when blessed chalk would be taken home for it to be done at home by either a priest or more often the father of the family.

Chalk and talk

The chalking the doors follows the following formula for the ritual; over a door would be written for 2020 for example:

20 + C+M + B + 20.

The numbers refer to the year but what do the letters refer to? Like many religious activities it has two meanings. Firstly C M and B are the initials of the first names of the Magi who visited Jesus on Twelfth Night, Caspar, Malchior, and Balthazar. But also they mean:

Christus mansionem benedicat

A Latin phrase meaning:

 “May Christ bless the house.”

The “+” signs represent the cross.

The purpose of the chalking those is to request the house is blessed by Christ and this good will is taken for the rest of the year and secondly that it shows those passing of the family’s faith and welcoming nature. Sometimes the custom is simply chalking but it some causes holy water is used and prayers said

Chalk it up

What is particularly interesting is that the custom is a widespread survival of a much more curious lost custom; that of making ‘witch marks’ or ‘apotropaic’ marks to protect the house and its occupants from evil forces. The carving of sunwheels, Marian symbols, pentagrams, etc can be found on entrances or exits of old houses across Britain. By doing so it prevented the evil spirits from entering and protect and bless the house. Chalking the door is the only survival as far as can be ascertained of this custom and as such is of considerable interest.

Traditionally the blessing is done by either a priest or the father of the family. This blessing can be performed simply by just writing the inscription and offering a short prayer, or more elaborately, including songs, prayers, processions, the burning of incense, and the sprinkling of holy water. An example below being given:

Prayer:

On entering the home,

Leader(Priest, if present, or father of the family) : Peace be to this house.
All: And to all who dwell herein.

All: From the east came the Magi to Bethlehem to adore the Lord; and opening their treasures they offered precious gifts: gold for the great King, incense for the true God, and myrrh in symbol of His burial.

All Pray: The Magnificat. During the Magnificat, the room is sprinkled with holy water and incensed. After this is completed,

All: From the east came the Magi to Bethlehem to adore the Lord; and opening their treasures they offered precious gifts: gold for the great King, incense for the true God, and myrrh in symbol of His burial.

Leader: Our Father. . .
And lead us not into temptation

All: But deliver us from evil.
Leader: All they from Saba shall come
All: Bringing gold and frankincense.
Leader: O Lord, hear my prayer.
All: And let my cry come to You.

Leader: Let us pray. O God, who by the guidance of a star didst on this day manifest Thine only-begotten Son to the Gentiles, mercifully grant that we who know Thee by faith may also attain the vision of Thy glorious majesty. Through Christ our Lord.

All: Amen.

Leader: Be enlightened, be enlightened, O Jerusalem, for thy light is come, and the glory of the Lord is risen upon thee—Jesus Christ born of the Virgin Mary.

All: And the Gentiles shall walk in thy light and kings in the splendor of thy rising, and the glory of the Lord has risen upon thee.

Leader: Let us pray.
Bless, + O Lord God almighty, this home, that in it there may be health, purity, the strength of victory, humility, goodness and mercy, the fulfillment of Thy law, the thanksgiving to God the Father and to the Son and to the Holy Spirit. And may this blessing remain upon this home and upon all who dwell herein. Through Christ our Lord.

All: Amen.

After the prayers of the blessing are recited, each room of the home is sprinkled with Epiphany water and incensed. The initials of the Magi are inscribed upon the doors with the blessed chalk. (The initials, C, M, B, can also be interpreted as the Latin phrase “Christus mansionem benedicat” which means “Christ bless this house”.)

Example: 20 + C + M + B + 20 

Another possible prayer to say during your Chalking:

May all who come to our home this year rejoice to find Christ living among us; and may we seek and serve, in everyone we meet, that same Jesus who is your incarnate Word, now and forever. Amen.

God of heaven and earth, you revealed your only-begotten One to every nation by the guidance of a star. Bless this house and all who inhabit it. Fill us with the light of Christ, that our concern for others may reflect your love. We ask this through Christ our Saviour. Amen.

Loving God, bless this household. May we be blessed with health, goodness of heart, gentleness, and abiding in your will. We ask this through Christ our Saviour. Amen.”

It appears that the custom is in some sort of revival of interest. It is described in St Asaphs, Wales,  St Paul’s Wokingham, St Giles Matlock and St Mary’s Hardwick, Derbyshire. An account from the COE website states how the custom can fall again into abeyance often to do with the views of the incumbent:

This used to be an annual feature of the Epiphany ceremonies conducted by the Revd Brian Brindley of Holy Trinity, Reading, who was something of a dramatist in liturgical matters.

The idea was that the members of the congregation took home a blessed piece of chalk, and also a piece of black paper, on which they were asked to write the traditional names of the three Wise Men. This was taken home and attached to the front door of one’s house in order be identified with the aim of the pilgrimage of the kings.”

Interestingly, in the 1800s custom appears to have become secularised if this account is any suggestion:

“At Skipsea, in Holderness, Yorkshire, the young men gather together at twelve o’clock on New Year’s Eve, and, after blackening their faces and otherwise disguising them- selves, they pass through the village, each having a piece of chalk. With this chalk they mark the gates, doors, shutters, and waggons with the date of the new year. It is considered lucky to have one’s house so dated, and no attempt is ever made to disturb the youths in the execution of their frolic.”

Such secular exuberance appears to have died out but its religious observance continues.

Custom revived: The Winster Guisers

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“December 26th. — This evening we had several sets of children ‘guising,’ dressed up in all sorts of queer ways, and singing one thing or other. The ‘Hobby Horse’ came too. Five men — one as a devil, one as a woman, one as an old woman with a besom, one with the Hobby Horse, and one as something or other else. We had them in the kitchen and gave them money.

December 27th. — Troops of children ‘guising’ again. We gave something to each lot. In the evening the Winster ‘Snap Dragon’ and ‘Hobby Horse’ conjoined came to us — ten men, one as Snap Dragon, two with Hobby Horses, two devils, etc., etc. We had them in the kitchen and gave them money.

Llewellynn Jewitt diary from 1867

Anyone who has been following this blog or occasionally visits will know I do enjoy a Mummer’s Play or Folk Play…I could fill the blog with accounts and some years I might experience 20-30 or so from across the country and over the seasons. Previous posts being testament such as the Soulcakers, Nottinghamshire Plough Monday plays and Ripley Guisers..but there are many more of course. One such tradition, a stable mate geographically with Ripley is that of the Winster Guisers, is worth exploring. Why? This is because the group, although a 1980 revival, is based on a curious photo from around 1870 and are rather bizarrely and frighteningly attired.

Winster Guisers 2014 (102)Winster Guisers 2014 (72)

 

 

 

 

 

 

 

 

 

 

Keeping mum on the origin

Some authorities have argued that as Winster has a Morris tradition that the photo is of a Morris troup. Let us look at the evidence on both sides. Firstly, the season, the lack of leaves on the vine in the background suggests winter – the season of mainly mumming not Morris. However, two characters have musical instruments suggesting that the group are dancing yet music does appear in such folk plays for example the Poor Old Horse. This is particularly significant drawing reference to this as the tradition was a Derbyshire-Nottinghamshire-Yorkshire one and the photo may capture a rendition. However, the evidence against this are the other characters – particularly those on what appear to be hobby horses, something more apparent in Morris. However, surely these characters are soldiers riding their horses. Some authorities such as ….state that they do not appear to be in combat, but surely it is not difficult to consider they might jousting with their horses being the objects of conflict? The brooms held by the other characters are more difficult. Broom dancing does exist in Morris but it appears restricted to Molly dancing an eastern tradition of East Anglia and Lincolnshire. Alternatively and more likely these are the sweepers off commonly seen in renditions of the Derby Tup, again a locally prevalent folk play. The final evidence in favour are again those costumes – there is no uniformity, a facet commonly seen in Morris and they are disguised.  The wearing of masks of course is unknown in Morris who would use other forms such as blackening to disguise their features. This does not exclude the possibility but surely the wearing of masks would be an encumbrance for a dancer? It appears all pretty conclusive I feel, and perhaps doubts have only crept in as a result of Winster’s rather odd Morris hangers on – a witch, clown and sergeant – but could these have come from the mummers and not evidence of the other arrangement? Whatever the truth this evocative photo was used as the basis for the modern team but of course a photo does not provide a script.  I enquired about this and the team asked older members of the community who suggested the characters and snippets of the play.

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The team have very faithfully resurrected the costumes from the photograph – the two protagonists wearing military jackets with white trousers. Their heads being wrapped in a white cloth with a clown like imaginary painted upon it. The other characters have been resurrected – the besom carrying one and the doctor.  The script coming from a Cheshire souling play the most likely candidate but no one other than an expert of folk plays would notice of course.

Truly Dis-Guised

I turned up late for the first performance at Matlock..their schedule said 8.45, they started at 8.15…early for mummers is virtually unheard of it was probably a typo. At least this gave me time to settle in at their next venue and get a prime location.

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Soon the play started to a very receptive audience, many of whom had turned up to see it (it is good to advertise). In came the Introducer:

I open the door and I enter in

Your favour I shall win

Here I stand, sit or fall

I’ll do my best to please you all.

A room to enter in

Come raise up the fire, for in this room tonight, there’s going to be a dreadful fight,

So much a fight in this house, we’ll make the rafters ring

If you don’t please the words I say..step in St George, clear the way…”

Then in came the main protagonists Saint George followed by the Black Prince of Paradise both riding curious hobby horses. In came a rather rapid St George on his unusual hobby horse:

“I am St George, noble champion bold,

And was with this sword I will fight crimes again

It was I who fought that fiery dragon and brought him slaughter

For my valour I won fair sheila the King of Egypt’s daughter.

I’ve travelled the world, round and round, is not a man to equal me never have I found,

Shall meet the man that dare stand in front of me and I’ll cut him down with sword in hand

Black Prince: I am Black Prince of Paradise, born of high renowned,

And with this sword I soon fix thy loafty courage down,

In Black Morocco I am King and before this night old,

I’ll see thee lie dead upon this floor and make thy blood run cold

St George: What that thy sayeth

What I say I mean

Stand back thy black Morrocan dog or I’ll drive sword thy die

Cut thy body in four parts and make your button’s fly

I cast thy cut my body in four parts and make your button fly,

My head is made of brass, Me body is made of steel

My arms and legs are knuckle bone and challenge the to feel

Black Prince: Pull out thy purse and beg

St George: Pull out thy sword and fight!

The satisfaction I shall have before I thou goes away tonight.”

Horsing about?

What is unusual about the team shown in the photo are the small hobby horses which these protagonists ride between their legs geld by a cord around the rider’s neck. These appear to be like wooden rocking horse having a flat curved neck with small head and snapping jaws are about two feet long with a cylindrical body. The question being are these the snap dragons or the hobby horses described by Llewellynn Jewitt? Folklorist Cecil Sharp noted that a real horses head snap dragon was being used in 1908 however confusingly the Winster Morris in 1966 state they never had a hobby horse but did have a ceremony where a horse skull would be buried each year and dug up. That is a tradition which survives at Antrobus soul caking  – more of about this skull later.

Dying for a pint

King of Egypt enters similarly disguised in cloth with an Arabic hat: “I am the King of Egypt as proud doth I appear, I’ve come to seek the young black prince who is my son and heir.Where the man who doeth sway is and precious blood he spill?Who is the man upon this ground my only son did kill?”

St George: I did him slay was I who did him kill and on this ground his precious blood did spill. He challenged me to fight with him, did he, before I be a coward, I fight until I die

King of Egypt: St George, St George what have you done, you’ve gone and killed me only son.

My only son, my only heir, how can you leave him bleeding there?

This part then leads to the traditional entrance of a female character, usually a man in drag, but unusually and especially for this year…an actual women:

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Looks like there’s been some fighting in ‘ere , looks like we need a doctor

Is there a doctor who can cure this man of his deadly wounds?

King of Egypt: I’ll give you five pounds for a doctor

Doctor: There’s no five pound doctor.

King of Egypt: I’ll give you 10 pounds for a doctor

Doctor: In comes I who’s never late, With my big head and little wit, my big heads so big and my wits so small, I’ll endeavour to please you all, man of noble vein, no more than thee or any other man

I cames the to be a doctor?

Doctor: By my travels

Why how far hast you travelled?

Doctor: I’ve travelled up and down the country in this manner or that, I’ve travelled from the fireside to the bedside, from the bedside to me grandmother’s cupboard side, got many a lump of mouldy cheesey pie crust that has made me such a fine upstanding figure of man as I am.

Is that all?”

 No I’ve been to Italy, Spitaly, France, Germany and Spain and I come back to the insert pub name again,

What have you seen on your travels?

Two dead men fighting, two blind me seen fair play, two men acting arms pick them up and carrying them away and two dumb men shouted horray horray.

What canst you cure?

I can cure The ip, the pip, the stitch, the patsy and the gout, the pains within and pains out

There be nineteen Devils in a man’s skull I cast 21 of them out.

What else canst you cure?

I can cure a horse of the gout

How does you do that then?

Cut it off and kick it about!

Can you cure hotels?

I can cure horse of the piles

How does you do that?

Flick some salt on its arse and ride it for miles

Is that all your can cure?

No in this bag I’ve got all manner of things, crutches for lame ducks, and spectacles for blind bumblebees, splints for grasshoppers with broken legs and many other useful things

Any chance of curing this man then doctor?

I, I got some medicine. three sips from this bottle, go down his thittle-throttle, If not entirely slain, rise up and fight again.”

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What is clear perhaps from these doctor incidences is that in such communities the doctor was always a questionable character or that one of the least worthy men in the troup played him! After resurrecting the Black Prince he decides to fight St George again but is stopped and the starts the long sequence of begging. One of the most amusing being Little Johnny Jack, played by one of the tallest of the group, who delivered his lines with great emphasis and who had a collection of dolls stuck to his  back:

In comes I little Johnny Jack, it’s my wife and my family I got on my back, now my family is large and I’ve had a little fall, so a little please will help us all. Out of twelve children I’ve got but five, all the rest they’re starving alive, some in workhouse and some down mine, I’ll bring them all with me when I come here next year. Now Christmas comes but once a year, but when it comes it brings good cheer. There’s turkey and taters, and mince pies and no one likes this sort of thing more than these guisers and in. So ladies and gentlemen, sit there at your ease, but you’ll have to give a little to these guisers if you please. And if you don’t give enough to these lads and so then I’ll go back to the beginning and do it all over again.”

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The last line getting the best roar of the whole performance. Johnny Jack was joined by Beelzebub a traditional more threatening character and Little Devil Doubt who threatened:

“In comes in Little Devily doubt and If you don’t give me your money I’ll sweep you all out. It’s your money I want, it’s your money I crave and if you don’t give me your money I’ll sweep you to your grave. If you don’t believe the words I say..step in Old Horse and clear the way.”

This horse was the icing on this rather gruesome cake. A real horses skull, painted black with red circle eyes and controlling it unseen beneath a black sheet it’s handler…it moved on all fours with an eerie quick slow fashion like a horse out of control, or rather like a more benevolent Emu of Rod Hull fame!. He’s rider again eliciting sympathy:

In comes our old horse to bring you good cheer, Merry Christmas and Happy New year..he was a fine horse and now he’s dead, all is left is this poor old horses head, Cause he’s old with wrapped a blanket around him to keep him from the cold. Now he’s come to your house to see you, I pray I look around, a fine horse as ever there’s been

He’s got a Head as handsome as any Derby winner, But nose fine and noble, like a piece of Worcester China, Got an Eye like a hawk and a neck like a swan, ears less as keen they can hear the bells in Pomy church even when not ringing, he’s got a row of teeth big and bright, like new tombstones…a champion horse very well bred..travelled far, he’s been to Buxton and once as far as Elton.

King and Queen once rode behind him and bought him a neat coat but no only pulls an old milk float…When he was born his mother fell dead on spoonfuls of honey he was nursed and fed. Once he danced to many a tune, now he only has one leg and with this leg he has to beg..some coppers and some beer…he’ll dance you a gallop if you come next year.”

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The team sung us a Merry Christmas and the very appreciative audience, one of the best for a mummer’s play, dug deep for charity! Reflecting on a very amusing performance, one could understand the popularity of such plays then when there was an element of surprise in both the characterisation and dress perhaps in the days when many did not see regular performance.  The fights which must have been common place in pubs – they still are – easily got the attention. That combined with patriotic tendencies underlining it was a good one to elicit sympathy and support in the days when everyone appeared to be an enemy the other side of the channel! Furthermore, the plays gave the working classes the opportunity to ridicule the figures of authority as well…the language in some cases may seem a little odd and obscure, but the plays still have the power to make audiences laugh and of course dig deep. Winster Guisers, with its bizarre and scary costumes, unique hobby horse and eerie horse is something the town of Winster should be very proud of. Catch it if you can.

Spot the difference!

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Custom demised: Cakin Night

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Cakin Night mask courtesy of Shirley Samworth from Storrs and Dungworth Facebook page

Cakin Night mask courtesy of Shirley Samworth from Storrs and Dungworth Facebook page

It’s always terrible to hear about the demise of custom, especially as its one which may have very ancient origins and dies out not in the Victorian times, nor after the First World War, neither the Second World War…but the early 1990s!

On the other side of the coin, we have the survival of Mischievous night may be alive and kicking – indeed going through a burst of perhaps unwanted energy, a similar native Hallowe’en custom appears to have disappeared – this is Cakin Night, Neet or Kay Kayling (the later taking the first three letters from a phonetic spelling of cake of course). The custom is still reported as current and alive in a number of sources, especially on-line but all avenues of enquiry suggest it is now extinct which is a real shame…but it is one which could easily be revived.

I have discussed before how Trick and Treat is not an alien interloper but a rebranding of something more traditional and Cakin Neet was testament for this. Clearly a separate and related custom emphasised for the fact it was always undertaken on the 1st of November – All Souls rather than the 31st. The custom does appeared to be a confused one in all accounts but it shows a tradition in flux, change and ultimate demise. Early accounts recall something very familiar.

On a scouting forum, Stocky scouts recalls:

“As a kid in the late 60’s early 70’s (seems so long ago when you look at it), we didn’t have Halloween or Trick or Treat. Our village had Cakin’ Neet. It was a very old tradition celebrated on November 1st where the children in the village used to go around dressed up to houses. The kids would sing the cakin’ song and then the householder would give them a bit of cake..”

This song went as follows:

“Cake, copper, copper, cake, copper, copper, if you haven’t got a penny, a half penny will do, if you haven’t got half penny, then God Bless you.”

As the poster notes:

“By the time I got round to doing it, it was money you got. It was an event we all looked forward to immensely….

Caking house visiting 1st November Stockbridge Copyright Ruairidh Greig

Caking house visiting 1st November Stockbridge Copyright Ruairidh Greig

The poster is not exactly correct, it was not just one village but the distribution was remarkably restrictive, if the last vestiges were to go by: Deepcar, Bradfield, Stannington, Dungworth and Little Matlock, small parishes on the west of Sheffield

Another forum contribution added:

In the 1960s, when I was a child, only the children carried on the custom in my village of Deepcar. We would wear home-made papier maché coloured masks and go door-to-door singing the ‘cakin neet’ song — this referring to the ‘soul cakes’ the ‘surrogate spirits’ formerly were given. The householders would have to try and guess who we were, and if they failed to guess right then they would have to give us a little money — in place of the ‘soul cakes’ of yesteryear.”

Cakin guisers 1960s courtesy of Shirley Samworth from Storrs and Dungworth Facebook page

Cakin guisers 1960s courtesy of Shirley Samworth from Storrs and Dungworth Facebook page

I was informed by a Steve Moxon on Facebook a fascinating personal account of the earlier form of the custom which shows it survived until at least the 1960s:

“I myself went out on what in Deepcar was known as ‘Kay Kay’ night, in the early 1960s with my younger brother, when we’d be somewhere between aged 7 and 10, I think. We had papier maché mask-making sessions in lesson time at Deepcar School specially for the occasion, so clearly it was a still a whole-community custom for children at this time. We sang the traditional ditty, obviously much truncated from what it had been:

‘Kay kay kay, Hole in mi stocking, hole in mi shoe, please can you spare me a copper or two, if you haven’t got a penny an halfpenny will do,  if you haven’t got an halpenny, god bless you’.

We received money from householders.”

What is interesting is the following comment which suggests perhaps a tongue in cheek attempt to dissuade children (akin to the tune on the ice-cream van means it has sold out!)”

“I think (if this isn’t a ‘constructed’ false memory) that if a householder accurately guessed who we were then they were not obliged to give us any money: but perhaps this was a myth adults told to make sure the kids upheld the tradition of being properly disguised — my dad disputes all this; he used to go out himself as a child in Stocksbridge, singing the very same ditty in the late 1930s.”

It is an interesting observation and an intriguing reason for the custom. The tradition was clearly supported locally and he added that:

“The masks we had, btw, were whole-face ones, with slits for the eyes, and I think they were painted red.”

And it is interesting that the local schools supported it, but this may not have lasted long. Perhaps a push for more curriculum work, change of ideologies, but what happened the custom changed. At least by 1974, captured by renowned photographer Homer Sykes,  it appears to have switched to just a fancy dress competition. Indeed oddly the last stages it appears to have developed into an adult custom, which is the converse of other customs. This was focused around three South Yorkshire pubs Robin Hood Inn, Little Matlock; Fox and Glove, Stannington; The Royal, Dungworth. This custom consisted of local adults in heavily disguised in costume who would then stand or move around the bar in silence as fantastically captured by Homer Sykes (http://www.anothermag.com/gallery/2459/photo50-at-the-london-art-fair/6), who notes on the Tate website his personal observations:

“Competitors concealed their identity by wearing a mask or fancy dress, which by tradition had to be of local significance. Having paraded silently from lounge to public bar and back again so their voices didn’t give their identity away, the competitors went upstairs to be judged. In this picture the judging had taken place and one participant, still disguised, was supping a pint of beer through a straw. I liked the neat surreal nature of the disguise. His gloves contrasted with the couple in their woollen jumpers, slacks and pointy collars.”

Cakin Guisers courtesy of Shirley Samworth from Storrs and Dungworth Facebook page

Cakin Guisers courtesy of Shirley Samworth from Storrs and Dungworth Facebook page

This was clearly a homage to the idea of children being rewarded if not recognised. It was possibly for the last time by David Bocking above, and a local search for personal photos so far has failed. Perhaps one of the last people to witness Cakin night was fellow folklorist John Roper. He noted that children were still involved contrary to Homer Sykes observations at other locations. He informed me that it consisted of:

“Fancy dress for adults and children with prizes  at the Robin Hood….adults only I seem to remember at the Crown and Glove ,Stannington  ; Halloween themed”

When it ended is not clear, but it appears The Robin Hood Inn was the last to stage one. David Clarke  (2000) in his Supernatural Peak District may have been the last to describe the custom, he writes:

“On one dark autumnal night every year the bar of s country pub in the hills to the north-west of Sheffield is transformed for half an hour into a scene from the pagan past. Hidden away at the end f a long and winding country lane and seemingly built right in the middle of nowhere, the Robin Hood at Stannington is one of the last places to celebrate the old Celtic festival of Samhain. Toy skulls and skeletons peer from windows, bats and spiders hang from the ceiling and in the bar gather a motley collection of locals dressed in a range of costumes which look as if they have been brought from the set of a ‘Hammer House of Horror’ film. These have included over the years hideous cowled witches, werewolves, Frankenstein and even the Devil himself. The characters simply stand and sit in eerie silence, creating a brief but unsettling atmosphere which harks back to earlier times. The faces of the ‘guisers’ are hidden behind elaborate masks which are central to the tradition, awaiting the judgement of the landlord which will break the spell and return the pub to normality.”

 When the Robin Hood closed the tradition died with it. Hallowe’en events have surpassed it, such as Sheffield’s fright night but enquiries thanks to Ron Clayton of Sheffieldhistorytours and East Peak Traditions and Bradfield Parish council state it is no more!

Why only here?

“When I went to secondary school I was astonished to find that the tradition was only in our village. Everyone else did Halloween. I think the tradition has more or less disappeared and replaced by Halloween – sad.”

Why the tradition survived here is unclear, but there has been considerable evidence of the survival of pre-Christian, Celtic beliefs in parts of Derbyshire. The date being focused on Samhain, the first day of the Celtic year and the spirits of the dead needed to be celebrated. The giving of cakes, soul cakes, placated these ghosts in the way that a wake ‘sin eats’ for the recently deceased. If this is so it is a shame that our only surviving native Hallowtide custom is no more.

Yet, the Royal is still thriving and discussion on the web suggests it’s popularly remembered….it could be ripe for a revival. If anything deserved it and could be done so simply it would be Cakin Night.

Custom survived: Blackpool illuminations

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Last year I discussed the lesser known but nevertheless picturesque Matlock illuminations, this month it’s time to talk about the grandfather of illuminations: Blackpool. In 2012, the town celebrated 100 years of lighting up and so I felt it was fitting to return back.

Walking on artificial sunshine

Blackpool is the queen of all seaside resorts, a well established resort long before the illuminations begun. In 1879, the local council decided to invest £5000 into converting the gas lights to Dr Siemen’s 8 dynamo-electric street lighting, the first electric street lights in the world. This new scheme attracted near on 100,000 visitors to see the promenade lit up with 48,000 candles worth of ‘artificial sunlight’!

Like Matlock, royalty was again the influence and the regular lighting up was established after the first Royal visit, by Princess Louise, to the town and the renamed Princess Parade in May 1912 with its ‘novel fashion of garland lamps’.

So impressive were the 10,000 bulb display that it was they were set up again in September and large crowds assembled. So successful was the scheme that local businesses persuaded the council to repeat it in 1913 and despite the inevitable stoppage for the First World War, their revival soon cemented their fame and became an established tourist attraction and in 1932 animated tableaux was added. By the outbreak of the Second World War, the area covered by lights extended six miles from Squires Gate to Red Bank Road. Indeed, although a preview was made on the 31st August which ironically included a searchlight on top of the Tower, the blackout soon enveloped the town and it was not until 1949 that the brightness returned.

Many hands make light work

The switch on has been a big thing, from the big attraction of Lord Derby in 1934 to more recently Gary Barlow, a lesser attraction. In 1949, actress Anna Neagle pressed the switch, and this established the pattern from then on. Celebrities have become associated with this switch on are a barometer for then current fads and celebrity custom. From great Lancastrians such as George Formby, Gracie Fields and Ken Dodd to oddballs such as the Canberra Bomber and Red Rum, the horse!! Who could forget Rear Admiral Sandy Woodward in 1982 sandwiched between the Muppets and Cannon and Ball? One of the most memorable, being the 1975 Doctor Who switch one advertising the town’s long running Who exhibit. In the 00s we may remember The Stig from Top Gear, Keith Lemon and Steps, but come a hundred years on, they’ll be as well known as Jacob Malick and John H. Whitney! Who…? Look them up. Indeed the switch up has become an event in itself, yet with tickets at £34 and massive losses running into the £100,000s (is there a connection?) this may be in danger.

Strike a light

Despite the rain and the wind, which can make a visit at this time of year so bracing, somehow the bright lights raise the spirits. Walking from the guest house towards the Tower I awaited the allotted time when the lights were switched on. There was no countdown and I almost missed it only realising it was happening when I could hear the cries of the assembled people as we watched the lights go up, down and up, flash and a large heart light up.

Of course the other great illumination features is the one which could inflict injury: the trams, although these are surely during the illuminations safest they could be, being lit up like fireworks and resembling something Santa would dream up to transport himself. Catching them is another matter, for everything I managed to get to their depo, I’d just missed one!

Then 66 nights latter, it’s all switched off, taken down and put into storage for another year as this jewel of seaside towns beds down for the winter.  The crowds disappear, ready to return next year for these bright garish lights are still a great attraction even over a 100 years later and long may they blaze on.

Custom revived: Wirksworth Clypping the church

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Wirksworth is a proud ancient mining town lying not far from its more famed Peak district relatives Matlock and Matlock Bath, despite the proximity of these towns, Wirksworth appears to have a different feel about it and unlike the other two retains its customs. Well dressing thrives here, its ancient mining history is not forgotten with the biennial Barmote and a more recent tradition of church clypping.

Whether it has an older origin is unclear but it is known to have been undertaken every year since 1921 on the Sunday nearest to the 8th of September, but it’s association with the patronal day is doubtless medieval in origin. The word clyppan being Saxon for embrace. Today the ceremony is associated with the town’s festival, which is rather a quaint irony,considering that  the church would have been central and the reason.Midway through the service, the congregation poured out of the church, like ants, following the clergy singing a hymn. More and more people poured out and as the clergy moved around the circle was slowing formed like some sort of human strand of string. They leave singing the church’s one foundation and as the clergy circle around, the human chain, like a giant hokey cokey gets more formed people awaiting outside being drawn to it like paper clips in a chain held by a giant magnet.Even a baby in a pram was involved!

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What is clypping?

The purpose of clypping is to show affection to the church and show the love they have for their mother church. Watching the custom one cannot help feel that this is a much more ancient ritual and replacing this mighty church with a stone circle is not beyond credibility. Its great to see this perhaps millennia old custom surviving and being enthusiastically embraced (sorry!)

copyright Pixyled publications

About traditional ceremonies and customs

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England has and had 100s of special ceremonies, traditions and customs. Some are group events some private, some ancient and unfathomable, some recent and understandable. For the last 30 years I have been travelling across the country and experiencing these unique curiosities which sprinkle British eccentricities into an otherwise mundane life. Each month we’ll be looking at customs survived those 100 years or older, revived those newer customs many reestablished and those demised, lost but not always forgotten. Join me in these travels.

2013 I’ve added customs contrived, that is new customs that have no traditional aspect yet. Why? Two reasons one because they deserve attention and secondly it allows me to keep the three posts a month up especially in August and January when there are few surviving customs.

2014, I’ve added customs transcribed, that is old customs from overseas. Why? Because many such as Chinese New Year and Divali have become just as widespread and important as native customs, others such as the Australia Breakfast deserve wider knowledge.

2015 I’ve added customs occasional for customs which are based around one off events or a number of dates or days in the year.

I’ve also added a link to Calendarcustoms.com website as well so you can find out when the events are on next. It’s good to see that this site is expanding as a result of my exploits here!

Links to customs covered

2012
January Custom   survived: Haxey Hood GameCustom   revived: Nottinghamshire plough Monday plays

Custom   demised: Cream of the well

February Custom   survived:  Winster Pancake raceCustom   revived: Blidworth Baby Rocking

 

Custom   demised:  29th February

March Custom   survived:  Tichborne DoleCustom   revived:  Hercules Clay sermon

 

Custom   demised: Washing Molly Grime

April Custom   survived:  Hungerford HocktideCustom   revived:   Easter heaving

 

Custom   demised:   Watching the sun

May Custom   survived: Minehead hobbyCustom   revived: Lambley Cowslip Sunday

 

Custom   demised: Pinch bottom

June Custom   survived: Youlgreave well dressingCustom   revived: Gate to Southwell

 

Custom   demised:  White black and ram nights

July Custom   survived:  Dunmow Flitch TrialCustom   revived:  Shell grottoes

 

Custom   demised:  Ilford Flitch

August Custom   survived:  Burning BartleCustom   revived:    Saddleworth   Rush bearing

 

Custom   demised: Harvest Home

September Custom   survived:   Preston GuildCustom   revived:  Wirksworth clypping

 

Custom   demised:  Newcastle Mock mayor

October Custom   survived: Goose fairCustom   revived: Trick or Treat

 

Custom   demised:  St Crispin day and cobblers

November Custom   survived:  Firing the Fenny PoppersCustom   revived:  Warburton Soulcakers

 

Custom   demised: Stamford Bull run

December Custom   survived:  Beeston CarolsCustom   revived:   Ripley Guisers

 

Custom   demised: Kissing Bush

 

2013
January Custom survived:  Mappleton JumpCustom revived:  Straw bear

Custom demised:  Pilgrimage to the Holy Thorn

February Custom survived:   Blessing ThroatsCustom revived: Valentine cards

Custom demised:   Wooton Penny Day

March Custom survived:   Mary Mallatrat’s doleCustom revived:  Old Bolingbroke Candle auction

Custom demised:  Burning Judas

April Custom survived: Hallaton Hare Pie Scramble and Bottle kickingCustom revived:  Egg rolling Fountain’s Abbey

Custom demised:  Primrose Day

May Custom survived: Merrie May Queen FestivalCustom revived:  Calder Valley Spa Sunday

Custom demised: Empire Day

June Custom survived:  Rothwell Proclaimation DayCustom revived:  Knolly’s rose

Custom demised: Scouring the White Horse

July Custom survived:  Selston tower sermonCustom Contrived:  John Clare cushions

Custom demised:   Little Edith’s Treat

August Custom survived:   Bourton Water FootballCustom revived:  Woodstock Mock Mayor

Custom demised:  Tutbury Bull run

September Custom survived:  Matlock IlluminationsCustom revived:  Gloucester day

Custom demised:  Kissing the old man

October Custom survived: Redcliffe Pipe walkCustom contrived: Fright Night

Custom demised:    The Rhyne Toll of Chetwode Manor

November Custom survived:  Lewes Bonfire NightCustom contrived: Oasby Baboon Night

Custom demised: Squirrel hunt

December Custom survived:  Handsworth Sword DanceCustom revived:   Poor Old Horse

Custom demised:  Thomasing on St. Thomas’s Day

2015

2016

2017

Enjoy